{"id":6388,"date":"2020-02-13T21:40:27","date_gmt":"2020-02-13T13:40:27","guid":{"rendered":"http:\/\/140.122.64.136\/musicollege\/?page_id=6388"},"modified":"2021-12-20T15:28:56","modified_gmt":"2021-12-20T07:28:56","slug":"style-guide","status":"publish","type":"page","link":"https:\/\/www.musicollege.ntnu.edu.tw\/index.php\/style-guide\/","title":{"rendered":"\u64b0\u7a3f\u9ad4\u4f8b"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\u56de\u5230\u300a\u97f3\u6a02\u7814\u7a76\u300b\u9996\u9801<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u570b\u7acb\u81fa\u7063\u5e2b\u7bc4\u5927\u5b78\u97f3\u6a02\u5b78\u9662<\/strong>\u300a\u97f3\u6a02\u7814\u7a76\u300b\u671f\u520a\u64b0\u7a3f\u9ad4\u4f8b<\/strong><\/h1>
97\u5e7403\u670824\u65e5\u672c\u520a97\u5e74\u7b2c1\u6b21\u7de8\u8f2f\u59d4\u54e1\u6703\u8b70\u4fee\u6b63\u901a\u904e<\/strong>
98\u5e7412\u670816\u65e598\u5b78\u5e74\u7b2c1\u5b78\u671f\u7b2c1\u6b21\u5b78\u8853\u59d4\u54e1\u6703\u8b70\u4fee\u6b63\u901a\u904e<\/strong>
99\u5e7403\u670823\u65e599\u5b78\u5e74\u7b2c1\u5b78\u671f\u7b2c1\u6b21\u5b78\u8853\u59d4\u54e1\u6703\u8b70\u4fee\u6b63\u901a\u904e<\/strong>
102\u5e741\u670811\u65e5101\u5b78\u5e74\u7b2c1\u5b78\u671f\u7b2c1\u6b21\u97f3\u6a02\u5b78\u9662\u5b78\u8853\u767c\u5c55\u59d4\u54e1\u6703\u8b70\u4fee\u6b63\u901a\u904e<\/strong>
105\u5e749\u670830\u65e5105\u5b78\u5e74\u7b2c1\u5b78\u671f\u7b2c1\u6b21\u97f3\u6a02\u5b78\u9662\u5b78\u8853\u767c\u5c55\u59d4\u54e1\u6703\u8b70\u4fee\u6b63\u901a\u904e<\/strong>
107\u5e7411\u67082\u65e5107\u5b78\u5e74\u7b2c1\u5b78\u671f\u7b2c1\u6b21\u97f3\u6a02\u5b78\u9662\u5b78\u8853\u767c\u5c55\u59d4\u54e1\u6703\u8b70\u4fee\u6b63\u901a\u904e
110\u5e7410\u670814\u65e5110\u5b78\u5e74\u7b2c1\u5b78\u671f\u7b2c1\u6b21\u97f3\u6a02\u5b78\u9662\u5b78\u8853\u767c\u5c55\u59d4\u54e1\u6703\u8b70\u4fee\u6b63\u901a\u904e
<\/strong><\/h6>

\u6295\u7a3f\u672c\u671f\u520a\u8acb\u63a1\ufa08Turabian\u00a0\uf941\u6587\u5beb\u4f5c\u683c\u5f0f\u66f8\u5beb\uff0c\u4ee5\uf9dd\u7de8\u8f2f\u4f5c\u696d\u3002\u5982\u56e0\u9818\u57df\u9700\u6c42\uff0c\u4ea6\u5f97\u63a1APA\u683c\u5f0f\u3002Turabian\u683c\u5f0f\u662f\u91dd\u5c0d\u7f8e\u5f0f\u82f1\u6587\u74b0\u5883\uff0c\u5728\u4e2d\u6587\u74b0\u5883\u4e4b\u4e0b\u6703\u5448\u73fe\u9069\u7528\u4e0a\u7684\u554f\u984c\uff0c\u56e0\u6b64\u4f5c\u8005\u53ef\u91dd\u5c0d\u7279\u6b8a\u60c5\u6cc1\uff0c\u81ea\ufa08\u63a1\u6458\u8b8a\u5316\uff0c\u4ee5\u4e0b\u50c5\uf99c\u51fa\u8f03\u4e00\u822c\u6027\u7684\u539f\u5247\u3002<\/strong><\/h4>

\u4e00\u3001\u8acb\u7528A4\u898f\u683c\u7d19\u5f35\u76f4\u5f0f\u6a6b\u5beb\uf99c\u5370\u3002<\/strong><\/h4>

\u4e8c\u3001\u5167\u6587\ufa08\u8ddd\u4f7f\u7528\uf978\u500d\ufa08\u9ad8\uff0c\u5b57\u9ad4\u5167\u5bb9\u4f7f\u7528\u65b0\u7d30\u660e\u9ad412\u865f\u5b57\uff0c\u5f15\u6587\u5247\u7528\u6a19\u6977\u9ad4\u3002\u5916\u6587\u4f7f\u7528 Times New Roman 12\u865f\u5b57\u3002<\/strong><\/h4>

\u4e09\u3001\u5c08\u66f8\u3001\u671f\u520a\u3001\u97f3\uf914\u4f5c\u54c1\u4e4b\u4e2d\u6587\u6a19\u984c\u8acb\u63a1\u7528\u300a\u00a0\u300b\uff0c\u5982\u300a\u8774\u8776\u592b\u4eba\u300b\uff1b<\/strong>\u897f\u6587\u6a19\u984c\u5247\u4ee5\u659c\u9ad4\u5b57<\/em>\u6a19\uf9fc\uff0c\u5982\u00a0Turandot<\/em>\u3002<\/strong><\/h4>

\u56db\u3001\uf941\u6587\u3001\u6587\u7ae0\u7bc7\u540d\u3001\u66f2\u540d\u7b49\u4e4b\u4e2d\u6587\u6a19\u984c\u63a1\u7528\u3008\u00a0\u3009\uff0c\u5982\u3008\u56fa\u5b9a\u6a02\u601d\u2014\u767d\u907c\u58eb\u57f7\u5ff5\u7684\u6a02\u97f3\u5be6\u8e10\u3009\u3001\u3008\u4e2d\u570b\u8a69\u8207\u99ac\u52d2\u7684\u300a\u5927\u5730\u4e4b\u6b4c\u300b\u3009\u3001\u3008\u7f8e\u597d\u7684\u4e00\u65e5\u3009\uff1b<\/strong>\u897f\u6587\u6a19\u984c\u5247\u7528\u00a0\u201c \u201d\uff0c\u5982\u00a0\u201cNew Documents on the Encounter of European and Chinese Music\u201d\uff1b<\/strong>\u66f2\u724c\u540d\u7528\u3010\u00a0\u3011\uff0c\u5982\u3010\u8776\u6200\u82b1\u3011\u3002<\/strong><\/h4>

\u4e94\u3001\u6587\u7ae0\u4e2d\u7b2c\u4e00\u6b21\u51fa\u73fe\u7684\u5916\u6587\u5c08\u6709\u540d\u8a5e\u6216\u662f\u4eba\u540d\u8acb\u7ffb\u8b6f\u6210\u4e2d\u6587\uff0c\u4e26\u9644\u4e0a\u539f\u6587\u5168\u6587\uff0c\u4e2d\u3001\u5916\u6587\u4eba\u540d\u8acb\u52a0\u4e0a\u751f\u5352\u5e74\u4ee3\uff1b\u5c1a\u5728\u4eba\u4e16\u8005\u8acb\u6a19\u793a\u51fa\u751f\u5e74\u4efd\u3002\u5982\u00a0\u97d3\u5fb7\u723e\uff08George Frideric Handel, 1685-1759\uff09\u3001\u9ece\u59c6\uff08Wolfgang Rihm, 1952\u751f\uff09\u3002<\/strong><\/h4>

\u516d\u3001\u8a3b\u91cb\u63a1\u96a8\u6587\u65b9\u5f0f\uff08footnote\uff09\uff0c\u4e2d\u6587\u5b57\u9ad4\u63a1\u7528\u65b0\u7d30\u660e\u9ad410\u865f\u5b57\u3002\u683c\u5f0f\u5982\u4e0b\uff1a<\/strong><\/h4>

\uff08\u4e00\uff09\u66f8\u7c4d\uff1a<\/strong><\/h4>

  1. \u4f5c\u8005\u59d3\u540d\u3002<\/strong><\/h4><\/li>

  2. \u7bc7\u540d\u6216\u55ae\u518a\u66f8\u540d\uff08\u53ca\u5f15\u6587\u5728\u8a72\u66f8\u5167\u5bb9\u4e2d\u4e4b\u5377\u6578\u6216\u518a\u6578\uff09\u3002<\/strong><\/h4><\/li>

  3. \u7de8\u8005\u6216\u8b6f\u8005\u59d3\u540d\u3002<\/strong><\/h4><\/li>

  4. \u53e2\u66f8\u540d\u53ca\u8a72\u66f8\u6240\u5c6c\u4e4b\u5377\u865f\u6216\u5377\u540d\u3002<\/strong><\/h4><\/li>

  5. \u767c\u884c\u4e8b\u9805\uff08\u50c5\u65bc\u7b2c\u4e00\u6b21\u5f15\u7528\u6642\u653e\u5165\u62ec\u865f\u5167\u8a3b\u660e\uff09\uff1a<\/strong><\/h4>

    \uff081\uff09\u51fa\u7248\u5730\uff082\uff09\u51fa\u7248\u8005\uff083\uff09\u51fa\u7248\u6642\u9593\u3001\u7248\u6b21\uff08\u521d\u7248\u53ef\u7701\u7565\uff09\u3002<\/strong><\/h4><\/li>

  6. \u5f15\u6587\u5728\u8a72\u66f8\u4e2d\u4e4b\u7ae0\u7bc0\u6578\uff0c\u9801\u6578\u3002<\/strong><\/h4><\/li>

  7. \u7db2\u8def\u8cc7\u6599\u9650\u5177\u5b78\u8853\u6027\u8cea\u4e4b\u7db2\u9801\uff0c\u9700\u8a3b\u660e\u4e0a\u7db2\u65e5\u671f\u53ca\u7db2\u5740\u3002<\/strong><\/h4><\/li><\/ol>

    \u4f8b\uff1a<\/strong><\/h4>

    1 \u8a31\u5e38\u60e0\uff0c\u300a\u81fa\u7063\u97f3\u6a02\u53f2\u521d\u7a3f\u300b\uff08\u81fa\u5317\uff1a\u5168\u97f3\u6a02\u8b5c\uff0c1996\uff09\uff0c276\u3002<\/strong><\/h4>

    2 Carl Dahlhaus,\u00a0Nineteenth-Century Music<\/em>,\u00a0trans. J. Bradford Robinson (Berkeley: University of California Press, 1989), 96.<\/strong><\/h4>

    3 Edward Seckerson\uff0c\u300a\u99ac\u52d2\u300b\uff0c\u767d\u88d5\u627f\u8b6f\uff08\u81fa\u5317\uff1a\u667a\u5eab\uff0c1995\uff09\uff0c116\u3002<\/strong><\/h4>

    4 Robin Thompson, \u201cJapan, VIII, 1: Regional traditions: Ry\u016bky\u016b,\u201d in\u00a0The New Grove Dictionary of Music and Musicians<\/em>, 2nd ed., ed. Stanley Sadie (London: Macmillan Publishers, 2002), 12:876-878.<\/strong><\/h4>

    5 Norbert B\u00f6ker-Heil\u00a0et al.,\u00a0\u201cLied,\u201d\u00a0Grove Music Online<\/em>,\u00a0Oxford Music Online<\/em>,\u00a0last modified October 26, 2011, accessed November 1, 2018,\u00a0https:\/\/doi.org\/10.1093\/gmo\/9781561592630.article.16611.<\/strong><\/h4>

    \uff08\u4e8c\uff09\u5c08\u66f8\u53ca\u671f\u520a\u8ad6\u6587\uff1a\u5c08\u66f8\u8ad6\u6587\u9808\u5217\u8ad6\u6587\u96c6\u540d\u7a31\u3002\u671f\u520a\u8ad6\u6587\u9808\u5217\u671f\u520a\u540d\u53ca\u5377\u671f\u6578\u3002\u671f\u520a\u4e0d\u9808\u5217\u51fa\u7248\u5730\u548c\u51fa\u7248\u8005\u3002\u50c5\u9808\u6a19\u660e\u5f15\u6587\u5728\u8a72\u8ad6\u6587\u4e2d\u4e4b\u9801\u6578\u3002<\/strong><\/h4>

    \u4f8b\uff1a<\/strong><\/h4>

    6 \u6885\u6a02\u4e99\uff0c\u3008\u300c\u9019\u88e1\u53ea\u554f\u85dd\u8853\uff01\u300d\u2014\u2014\u8ad6\u83ef\u683c\u7d0d\u300a\u7d10\u502b\u5821\u7684\u540d\u6b4c\u624b\u300b\u4e4b\u97f3\u6a02\u8a9e\u8a00\u6b77\u53f2\u4e3b\u7fa9\u3009\uff0c\u6536\u9304\u65bc\u300a\u83ef\u683c\u7d0d\u7814\u7a76\uff1a\u795e\u8a71\u3001\u8a69\u6587\u3001\u6a02\u8b5c\u3001\u821e\u53f0\u300b\uff0c\u7f85\u57fa\u654f\u3001\u6885\u6a02\u4e99\u4e3b\u7de8\uff0c2013\u5e74\u81fa\u5317\u83ef\u683c\u7d0d\u570b\u969b\u5b78\u8853\u6703\u8b70\u8ad6\u6587\u96c6\uff08\u81fa\u5317\uff1a\u9ad8\u8ac7\uff0c2017\uff09\uff0c206\u3002<\/strong><\/h4>

    7 Carl Dahlhaus, \u201cZur Problematik der musikalischen Gattungen im 19. Jahrhundert,\u201d in Gattungen der Musik in Einzeldarstellungen: Gedenkschrift Leo Schrade<\/em>, ed. Wulf Arlt, Ernst Lichtenhahn and Hans Oesch (Bern: Francke, 1973), 840.<\/strong><\/h4>

    8 \u856d\u6176\u745c\uff0c\u3008\u5e73\u7fa9\u4e45\u92fc\u7434\u4f5c\u54c1\u63a2\u7a76\uff1a\u4ee5\u300a\u8072\u4e4b\u5f62\uff29\u300b\u70ba\u4f8b\u3009\uff0c\u300a\u97f3\u6a02\u7814\u7a76\u300b\u7b2c34\u671f\uff082021\u5e745\u6708\uff09\uff1a31\u3002<\/strong><\/h4>

    9 Hermann Danuser, \u201cDer Orchestergesang des Fin de si\u00e8cle: Eine historische und \u00e4esthetische Skizze,\u201d\u00a0Die<\/em>\u00a0Musikforschung<\/em>\u00a030, no. 4 (1977): 425.<\/strong><\/h4>

    \uff08\u4e09\uff09\u540c\u7b46\u8cc7\u6599\u7b2c\u4e8c\u6b21\u4f7f\u7528\u6642\uff0c\u4ee5\u7e2e\u5beb\u65b9\u5f0f\u6a19\u793a\u3002<\/strong><\/h4>

    \u4f8b\uff1a<\/strong><\/h4>

    10 \u8a31\u5e38\u60e0\uff0c\u300a\u81fa\u7063\u97f3\u6a02\u53f2\u521d\u7a3f\u300b\uff0c276\u3002<\/strong><\/h4>

    \u4e03\u3001\u53c3\u8003\u6587\u737b\uff1a\u50c5\u5217\u51fa\u8a3b\u8173\u4e2d\u4f7f\u7528\u7684\u66f8\u76ee\u70ba\u539f\u5247\u3002\u4e2d\u6587\u5b57\u9ad4\u63a1\u7528\u65b0\u7d30\u660e\u9ad412\u865f\u5b57\uff0c\u5148\u5217\u5916\u6587\uff0c\u518d\u5217\u4e2d\u6587\u3002\u5916\u6587\u4f9d\u59d3\u6c0f\u5b57\u6bcd\u9806\u5e8f\u6392\u5217\uff0c\u4e2d\u6587\u4f9d\u59d3\u6c0f\u7b46\u5283\u9806\u5e8f\u6216\u51fa\u7248\u5e74\u4efd\u6392\u5217\u3002\u683c\u5f0f\u5982\u4e0b\uff1a<\/strong><\/h4>

    \uff08\u4e00\uff09\u66f8\u7c4d\uff1a<\/strong><\/h4>

    1. \u4f5c\u8005\u59d3\u540d\u3002<\/strong><\/h4><\/li>

    2. \u7bc7\u540d\u6216\u55ae\u518a\u66f8\u540d\uff08\u53ca\u5f15\u6587\u5728\u8a72\u66f8\u5167\u5bb9\u4e2d\u4e4b\u5377\u6578\u6216\u518a\u6578\uff09\u3002<\/strong><\/h4><\/li>

    3. \u7de8\u8005\u6216\u8b6f\u8005\u59d3\u540d\u3002<\/strong><\/h4><\/li>

    4. \u53e2\u66f8\u540d\u53ca\u672c\u66f8\u6240\u5c6c\u4e4b\u5377\u865f\u6216\u5377\u540d\u3002<\/strong><\/h4><\/li>

    5. \u767c\u884c\u4e8b\u9805\uff1a\uff081\uff09\u51fa\u7248\u5730\uff082\uff09\u51fa\u7248\u8005\uff083\uff09\u51fa\u7248\u6642\u9593\u3001\u7248\u6b21\uff08\u521d\u7248\u53ef\u7701\u7565\uff09\u3002<\/strong><\/h4><\/li><\/ol>

      \u4f8b\uff1a<\/strong><\/h4>

      \u8a31\u5e38\u60e0\u3002\u300a\u81fa\u7063\u97f3\u6a02\u53f2\u521d\u7a3f\u300b\u3002\u81fa\u5317\uff1a\u5168\u97f3\u6a02\u8b5c\uff0c1996\u3002<\/strong><\/h4>

      Dahlhaus, Carl.\u00a0Nineteenth-Century Music<\/em>.\u00a0Translated by\u00a0J. Bradford Robinson. Berkeley: University of California Press, 1989.<\/strong><\/h4>

      Seckerson, Edward\u3002\u300a\u99ac\u52d2\u300b\u3002\u767d\u88d5\u627f\u00a0\u8b6f\u3002\u81fa\u5317\uff1a\u667a\u5eab\uff0c1995\u3002<\/strong><\/h4>

      Thompson, Robin. \u201cJapan, VIII, 1: Regional traditions: Ry\u016bky\u016b.\u201d In\u00a0The New Grove Dictionary of Music and Musicians<\/em>, 2nd ed., edited by Stanley Sadie, 12:876-878. London: Macmillan Publishers, 2002.<\/strong><\/h4>

      B\u00f6ker-Heil, Norbert et al. \u201cLied.\u201d\u00a0Grove Music Online. Oxford Music Online<\/em>. Last modified October 26, 2011. Accessed November 1, 2018. https:\/\/doi.org\/10.1093\/gmo\/9781561592630.article.16611.<\/strong><\/h4>

      \uff08\u4e8c\uff09\u5c08\u66f8\u53ca\u671f\u520a\u8ad6\u6587\uff1a\u5c08\u66f8\u8ad6\u6587\u9808\u5217\u8ad6\u6587\u96c6\u540d\u7a31\u53ca\u5377\u6578\u3002\u671f\u520a\u8ad6\u6587\u9808\u5217\u671f\u520a\u540d\u53ca\u5377\u671f\u6578\u3002\u5747\u9808\u6a19\u660e\u59cb\u672b\u9801\u78bc\u3002<\/strong><\/h4>

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      \u6885\u6a02\u4e99\u3002\u3008\u300c\u9019\u88e1\u53ea\u554f\u85dd\u8853\uff01\u300d\u2014\u2014\u8ad6\u83ef\u683c\u7d0d\u300a\u7d10\u502b\u5821\u7684\u540d\u6b4c\u624b\u300b\u4e4b\u97f3\u6a02\u8a9e\u8a00\u6b77\u53f2\u4e3b\u7fa9\u3009\u3002\u6536\u9304\u65bc\u300a\u83ef\u683c\u7d0d\u7814\u7a76\uff1a\u795e\u8a71\u3001\u8a69\u6587\u3001\u6a02\u8b5c\u3001\u821e\u53f0\u300b\uff0c\u7f85\u57fa\u654f\u3001\u6885\u6a02\u4e99\u4e3b\u7de8\uff0c2013\u5e74\u81fa\u5317\u83ef\u683c\u7d0d\u570b\u969b\u5b78\u8853\u6703\u8b70\u8ad6\u6587\u96c6\uff0c206-230\u3002\u81fa\u5317\uff1a\u9ad8\u8ac7\uff0c2017\u3002<\/strong><\/h4>

      Dahlhaus, Carl. \u201cZur Problematik der musikalischen Gattungen im 19. Jahrhundert.\u201d In\u00a0Gattungen der Musik in Einzeldarstellungen: Gedenkschrift Leo Schrade<\/em>, edited by Wulf Arlt,\u00a0Ernst Lichtenhahn\u00a0and Hans Oesch,\u00a0<\/em>840-895. Bern: Francke, 1973.<\/strong><\/h4>

      \u856d\u6176\u745c\u3002\u3008\u5e73\u7fa9\u4e45\u92fc\u7434\u4f5c\u54c1\u63a2\u7a76\uff1a\u4ee5\u300a\u8072\u4e4b\u5f62\uff29\u300b\u70ba\u4f8b\u3009\u3002\u300a\u97f3\u6a02\u7814\u7a76\u300b\u7b2c34\u671f\uff082021\u5e745\u6708\uff09\uff1a29-62\u3002<\/strong><\/h4>

      Danuser, Hermann. \u201cDer Orchestergesang des Fin de si\u00e8cle: Eine historische und \u00e4esthetische Skizze.\u201d\u00a0Die Musikforschung<\/em>\u00a030, no. 4\u00a0 (1977): 425-451.<\/strong><\/h4>

      \u516b\u3001\u672c\u8fa6\u6cd5\u7d93\u97f3\u6a02\u5b78\u9662\u5b78\u8853\u767c\u5c55\u59d4\u54e1\u6703\u6703\u8b70\u901a\u904e\u5f8c\u65bd\u884c\uff0c\u4fee\u6b63\u6642\u4ea6\u540c\u3002<\/strong><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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      \n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/i>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\u56de\u5230\u300a\u97f3\u6a02\u7814\u7a76\u300b\u9996\u9801<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

      \u64b0\u7a3f\u9ad4\u4f8b \u56de\u5230\u300a\u97f3\u6a02\u7814\u7a76\u300b\u9996\u9801 \u570b\u7acb\u81fa\u7063\u5e2b\u7bc4\u5927\u5b78\u97f3\u6a02\u5b78\u9662\u300a\u97f3\u6a02\u7814\u7a76\u300b\u671f\u520a\u64b0\u7a3f\u9ad4\u4f8b 97\u5e7403\u670824\u65e5\u672c\u520a97\u5e74 […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","footnotes":""},"class_list":["post-6388","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/www.musicollege.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/6388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musicollege.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.musicollege.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.musicollege.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musicollege.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/comments?post=6388"}],"version-history":[{"count":13,"href":"https:\/\/www.musicollege.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/6388\/revisions"}],"predecessor-version":[{"id":11094,"href":"https:\/\/www.musicollege.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/6388\/revisions\/11094"}],"wp:attachment":[{"href":"https:\/\/www.musicollege.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/media?parent=6388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}